Lady Macbeth Did Not Have an N95
Of Flattened Curves and Ballooning Statistics
A Good Bookstore Deserves a Good Bookmark
Design for Democracy African Style
by Wendy MacNaughton
Arguing With Success
by David Stairs
English and Palinese
by Victor Margolin
Agenda for a 21st Century India Report
by Arvind Lodaya
First Name Basis (Part 2)
by Wes Janz
Riots By Design: Blaming the London Olympics
by Daniel Drennan
Introduction to the Fourth World
by Olon Dotson
Can Non-Europeans Innovate?
by sumandro
Apple-vs-Design
by Carter Scholz
David Stairs
Ruin porn is everywhere. Photos of Detroit’s semi-preserved Michigan Central Station abound, and photographers continue to document while critics and journalists debate the pros and cons of what Dora Apel in her recent book Beautiful Terrible Ruins: Detroit and the Anxiety of Decline (2015) terms the “deindustrial sublime.”
David Stairs
Slingshot made from bicycle innertube
I’ve talked many times about how successful African DIY design is when it comes to recycling materials. Most African nations are not heavily industrialized, except those involved in mining, so technology and manufactured goods are often imported. What’s more, the climate in many parts of the continent fluctuates between hot and dusty, or torrentially wet— not an ideal scenario for many materials.
David Stairs
There’s a little place in the Indian city of Agra famous as a testament of a man’s love for a woman.
David Stairs
Completion of Kampala’s Northern Expressway has been plagued by delays in right-of-way acquisition
Returning to Uganda for the first time in ten years has held a few surprises. The charm of its people, and the beauty of Uganda’s countryside are unchanged, but the congestion in the capital Kampala is alarming. Partly this has to do with migration and growth. As the nation’s population increases, the sprawl of Kampala explodes.
David Stairs
I was recently in Prague, which in June 2017 celebrated the 75th anniversary of one of the most heroic and daring commando actions of the Second World War. On June 4, 1942, Reinhard Heydrich, the Protector of Bohemia and Moravia was attacked on his way to work when his Mercedes slowed at a bend in the road. His assailants, Josef Gabcik and Jan Kubis were Slovakian and Czech volunteers who had been trained in Britain and parachuted into Czechoslovakia to conduct Operation Anthropiod.
SS-Obergruppenführer Reinhard Heydrich (courtesy Wikipedia)
David Stairs
courtesy TheNation.com
The iconic images of Houston under 10 feet of water should have by now burned themselves into your brain. “How did we get to this point?” you ask. With one word: Design.
The third and final article in our series on the American prison system. —Ed.
Hannah Boyd
For you, DJ, the person who shared part of his life with me.
And for you, former mayor of Indianapolis Greg Ballard, the person who vehemently rejected the concept of prison slave labor, the implications of the 13th amendment, and the profiteering by corporations that makes everyone complicit in the practice of neo-slavery(1).
On day one of our architecture studio, we are tasked with designing a 4,000 bed jail with 27 courtrooms and administrative offices. The project had been an effort by former mayor Greg Ballard to consolidate the sprawling jail network that currently exists in Indianapolis (2). The project never came to fruition, and the new mayor, Joe Hogsett, is currently reviving the project with new ambitions (3).
—
The 13th Amendment
This essay continues our investigation of America’s prison system, and extends D-A-P’s collaboration with Ball State architecture students into the fifth year. —Ed.
Julia Voigt
Despite jails being one of the most recognizable typologies of the built environment, the criminal justice system itself is far removed from the realm of the architectural profession. This lack of attention given to the penal system within the profession highlights a larger, societal issue at hand: that, as noted by author Michelle Alexander, “… criminals are the one social group in America that nearly everyone–across political, racial and class boundaries–feels free to hate” (Alexander 228).
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David Stairs
Every once in awhile you meet a group of students that stands out. This was the case with my Junior studio a year ago. When we collaborated with the School of Businesses’ entrepreneurial contest, they were all in, and we just clicked. I knew 2017 would be my year to mentor our Graphic Design capstone project, and I wanted it to be good, so I signed up to teach the Fall senior studio leading into the winter capstone.
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David Stairs
Image: David Stairs
I recently started reading Volker Ullrich’s biography HITLER: Ascent 1889-1939 out of a curiosity to better understand the motivations of the man often ranked as history’s most malevolent monster. Along the way I became fascinated by the parallels between Uncle Adolf and a more recent demagogue of the American ilk. These are the similarities I noted:
•Mendacious use of facts
•Scapegoating a religious group
•Extreme nationalism
•Intolerance for criticism
•Bullying as a defense tactic
•Narcissistic
•Authoritarian
•Inciting violence
•Histrionic
•Temperamental
•Censorious
•Contempt for adversaries
•Dislike for administrative work
•Prima donna tendencies
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David Stairs
Control is the object of consolidation, what Nietsche once called the “will to power.”
Soul Searching
Consider the rise of multinational corporations. Monopoly is the capitalist ideal. Although shrouded in so-called antitrust laws preventing market domination— the idea being that competition is healthy for markets— captains of industry have always sought market dominance. For brief periods of time some capitalists, Henry Ford and John D. Rockefeller to name two, dominated their industries and became enormously wealthy.
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Carter Scholz
In the prehistory of personal computers, Lee Felsenstein and some others created Community Memory in Berkeley in 1974: a publicly available teletype terminal, connected to a mainframe computer via 110-baud modem. Users could post and read messages at a few different sites. Felsenstein had read Ivan Illich, and he saw this as a tool for conviviality. It was a novel vision in a time of monolithic mainframes: computers as liberating and empowering, both personally and socially.
Lee Felsenstein / Courtesy Lee Felsenstein.com
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David Stairs
When I think of blue and red the notion of Democrat and Republican naturally come to mind. One can find any number of red-blue maps online that attempt to represent our political differences. I even wrote about it here after the last Presidential election. Happily, there is another, earlier visual application of red and blue: the road maps of the 1930s to 1950s.
David Stairs
Downtown Mount Pleasant, Michigan on the morning of July 16th, 2016
Some things about the Michigan summer are a certainty: mosquitoes, humidity, and recreation vehicles. Summer’s the season when snowmobile trailers are swapped out for boat hitches, and the weekend traffic going north on Michigan’s highways likely includes people from Ohio, Indiana, and Illinois headed for resort towns near Michigan’s lakes.
David Stairs
I’ve written the past couple of summers about Portland, Oregon and its environmentally-friendly culture. I visited my family again last month, as I normally do in July, just in time for the unveiling of a major new corporate/municipal project. On July 19th Portland launched the Biketown bicycle-share initiative. With a fleet of Dutch-designed bikes, and a system of around 100 rental stations, Portland joined the ranks of cities like New York, in pursuit of the notion of universal car-free mobility.
A Biketown bike locked outside the Niketown store on MLK Boulevard in Portland
David Stairs
When I first saw the house, a big old Victorian three-story I thought, “This place is great, but it’s way too big.” I’d been living abroad for a couple of years, and returning to rental space in a college town, where rentals are either of the townhouse variety, or student-destroyed older homes, had me on the real estate market. I already owned one house, but it was in another state, and this wasn’t helping my current situation.
photo: Al Wildey
This is the third in an annual series of essays by students of the Ball State University Architecture program. Previous works by Jesse McClain and Phil Borkowski appeared in 2014 and 2015. —Ed.
Kenna Gibson
I am from a small town 10 miles away from Muncie, Indiana. Muncie: home of Ball State University, former home of Ball Corporation, BorgWarner, Delco Remy, General Motors, A. E. Boyce Company, and Westinghouse Electric. The list of industries that have left the city is much longer than the list of those that have stayed. For my third year architecture studio, we were to connect machines with the rust belt. What we were supposed to create, probably something that would aid the citizens, neither I nor my professor, Wes Janz, really knew. Easy enough, I thought, because I live in the Rust Belt.
David Stairs
It’s been 10 years since this article first appeared as Bruce Mau and the Apotheosis of Data. We’re re-posting it here in our continuing celebration of D-A-P’s tenth anniversary, and because it is no less pertinent now than it was in 2006. —Ed.
Soothsaying: The New Science of Designing For Nine Billion
“The wits, therefore, of the Utopians, inured and exercised in learning, be marvelous quick in the inventions of feats helping anything to the advantage of wealth of life.” 1 —Thomas More Utopia
Foretelling the future has been professionalized. Once the domain of soothsayers, astrologists, and mountebanks, now, futurology has become the domain of designers and other improvers of humankind.
David Stairs
Last week I was talking with my 16-year-old about his piano lesson when I asked him whether his tutor had emailed him before rescheduling a recent lesson. “Dad,” he chuckled, “I can’t believe you said that.” Translation: no one of sound mind uses anything but text as a means of communicating these days. I reminded him that not long ago I might have wondered if his instructor had “called” him with the message, but the point was made. There isn’t a day that passes when I am not reminded of how quickly I’m obsolescing.
David Stairs
Design Altruism Project started ten years ago today with this post. From its humble beginnings it essayed to represent new notions of professional practice from a variety of viewpoints, both new and established. We wanted to celebrate our tenth anniversary with an uplifting story.
David Stairs
I haven’t yet been able to locate a source that estimates the overall number of vehicles that have been manufactured in the last century. In 1950 there were 50,000,000 cars in the world, not necessarily including all of the 16,500,000 Model Ts Ford produced between 1908 and 1927. In 2010 the number of passenger vehicle on the world’s roads passed 1-billion for the first time, figuring among them parts of 23,500,000 Volkswagon Beetles, and 40,000,000 Toyota Corollas. Let it suffice to say, we’ve built a helluva lot of cars since Henry Ford instituted the $5 workday.
With oil prices tanking to under $30 a barrel, car ownership is becoming a reality for greater numbers of people worldwide. China is now the world’s largest auto manufacturer, having produced upwards of 20,000,000 units in 2015. Ironically, car sales in America have declined, while pickup and SUV sales are booming. This closely follows the overproduction of oil, and implies a short-term lack of concern about climate change.
The all-time best-selling American vehicle, the Ford F-150 Courtesy of Consumer Reports
David Stairs
If I’ve heard it once, I’ve heard it a thousand times: design is not supposed to be about self-expression. It’s iterative. It’s altruistic. It’s problem solving. But it’s not supposed to be self-expressive. Considering the number of huge egos in the design world, this feels less and less plausible with the passing of time. In his lecture of 2003 celebrating Archeworks 10th anniversary Victor Margolin wrote that “Design is essentially a middle class profession that has delivered a comfortable life for middle class people, while also indulging the wealthy.”
David Stairs
I first met Evelyn Nambooze as a shy, pretty girl of thirteen in 2006 in a partly finished building near Bombo, Uganda when I served lunch to her and some other kids at James Lutwama’s place. James and I had been friends since he’d first approached me outside my apartment at Makerere University in 2001 hoping to collaborate.
Serving lunch at Arcadia Valley in 2006
Malika Soin
The title of this essay is inspired from Gabriel Garcia Márquez’s magical realist short story, “Light is like Water.” In the story, through textual narration, the reader visualizes the transformation of an everyday apartment setting to a sea world with floating objects. The realistic function of light is to brighten up a space but Márquez writes about the light from broken light bulbs drowning the apartment and submerging the objects. He also introduces floating and flying objects at the same time: a shawl flutters like a bird and floats in the apartment like a golden manta ray. He transforms mundane household objects into magical entities. In an attempt to create objects that fly and float using the tools of graphic design I chose three familiar objects from Indian culture. In literature, words are used to describe different aspects of everyday reality, revealing even the most obvious elements in a new light. In design the visual tools namely form, shape, color, and type are used to perform the above stated function. These objects are chosen as a result of the nostalgia experienced due to my displaced cultural context from India to Canada.
A street vendor selling food in paper cones in India
David Stairs
Whenever visiting Portland, Oregon I am always struck by the huge number of bicyclists— aggressive, self-righteous, ubiquitous. No matter that many of them weren’t even born yet when I was bike commuting— it’s great to see so many! But there is another meme at work here. I am a Prius owner, but I’ve never been anywhere that has more Priuses per capita, and if such a place exists I’d be surprised.
Priuses on the Toyota lot awaiting distribution
